Brackley is one of only 7 Cotswold Morris sides listed by the Morris ring as ‘traditional’, and the only one to survive in Northamptonshire. The side can’t claim to have the earliest record, nor can it claim the longest continual existence. Nevertheless we have records dating back to the early 1700s, and there’s a strong local belief that the Brackley Morris were associated with the presentation of an engraved solid silver communion plate dated 1623. Each of the attachments below is a chapter in our long colourful story.
1. The 1500s – ‘Early Beginnings’ of the Brackley Morris.
The roots of Brackley Morris stretch back to the 1500s, when references to dancing in the town begin to appear. These early performances were tied to seasonal celebrations and local customs, forming part of village life. While details are limited, they show that Morris dancing was already established in Brackley as a recognisable tradition. Download the PDF here.
2. The Brackley Silver Paten of 1623 – ‘Rudely scratched’
A silver paten dated 1623 carries what appears to be a scratched depiction of Morris dancers. Though simple in style, it provides one of the earliest visual links to the tradition in Brackley. This small piece of evidence helps confirm the belief that Morris dancing was active and visible in the town during the early 17th century. Download the PDF here
3. The 1700s -‘ Gaily Bedizoned’
By the 1700s, Brackley Morris dancers were described as brightly dressed and lively in appearance. The phrase “gaily bedizoned” reflects their colourful costumes and festive role in community events. The dancing had become more structured, with clearer identity and presentation. Download the PDF here
4. The 1800s – ‘Witless Buffoonery’
During the 1800s, attitudes toward Morris dancing shifted. Some observers dismissed it as outdated or foolish, referring to it as “witless buffoonery.” Despite this criticism, the tradition continued, supported by those who valued its place in local culture. Download the PDF here
5. The early 1900s – ‘Skill and Tenacity’
In the early 20th century, Brackley Morris survived through the dedication of a few individuals. Their skill and persistence kept the dances alive during a period when many traditions were fading. This era laid the groundwork for later revival. Download the PDF here
6. The Reformation of 1959 – ‘The Magdalen Boys’
The modern revival began in 1959 with the formation of a new side, often linked to the “Magdalen Boys.” This marked a turning point, with renewed organisation, practice, and public performance. The tradition was rebuilt with a clear focus on preserving Brackley’s unique style. Download the PDF here
7. The modern side – ‘From Boys to Men’
Over time, the side evolved from younger members into a fully established adult team. “From boys to men” reflects both continuity and growth. Today’s side maintains the tradition while adapting to modern audiences and events. Download the PDF here
8. May Day – ‘A Worthy Tradition’
May Day remains central to Brackley Morris, with dancing marking the arrival of spring. It is a long-standing custom that connects past and present. The celebrations continue to draw the community together each year. Download the PDF here
9. Mumming, St George – ‘Here come I’
Mumming plays and the story of St George form another part of the tradition. Performed alongside Morris dancing, they bring theatre, humour, and ritual into the mix. The familiar opening line, “Here come I,” signals the start of these lively performances. Download the PDF here
10. The August Summer Tour – ‘A good pair of boots’
The annual summer tour is a key feature of the side’s calendar. Travelling from place to place, the dancers perform across towns and villages. It demands stamina and commitment—hence the need for “a good pair of boots.” Download the PDF here
11. The Brackley Fool – ‘Insolence’ and ‘Buffoonery’
The Fool is a central character in the side, adding humour and interaction. Known for playful insolence and exaggerated behaviour, the role brings energy to performances. The Fool links the dancing to its older, more theatrical roots. Download the PDF here
12. The Musician – ‘Every note has its step’
Music drives the dance, with each tune closely tied to specific steps and figures. The musician plays a key role in setting pace and rhythm. The phrase “every note has its step” reflects this close connection between sound and movement. Download the PDF here
13. The Kit -‘ Napkins Scarves and Garters’
The traditional kit includes distinctive elements such as napkins, scarves, and garters. Each piece has a purpose, both practical and visual. Together, they create the recognisable look of the Brackley Morris dancer. Download the PDF here
The Story of the Brackley Morris Men- Notes & Sources